Rachel Swirsky, guestblogging for Jeff VanderMeer, explains a common problem for SF fans and writers: any SF that is also good literature gets reassigned away from the category of SF — leaving only the “bad stuff” as true SF. (On the other hand, this goes both ways: many SF fans won’t touch literary fiction. It’s too “boring.”)
The comments are very instructive as well. (A rarity!) VanderMeer, Swirsky, and author Nick Mamatas all have good things to say.
The Onion, of course. This is absolutely perfect. (via epippen)
A dystopia with shades of THX-1138 and Moon. Looks very cool. (via Wired’s Underwire blog)
I am a colossal dork. Regardless, this song is awesome and the perfect thing for a Monday morning.
Ray Bradbury (via booklover)
Neil Gaiman in The New Yorker’s Ask the Author. As Robin Sloan says, the most interesting part is the “confluence” of art in the 21st century: the breaking down of barriers between high and low.
Jason Henninger, writing a rant about literary vs. speculative fiction on Tor.com.
Henninger’s post rehashes an old argument: “genre” fiction isn’t good literature, and any time a literary critic likes a piece of genre fiction it’s often explained as not really being genre fiction at all. (See, for example, The Road, Slaughterhouse Five, etc.)
Lost returns Feb. 2. Cannot wait. (via johnaugust, via chriszabriskie)
io9 shows the varied covers a handful of science fiction classics have borne over the years. (They cheat a little — showing only English editions for some books, while others include foreign editions, which for some reason are much more lurid.) As can be expected, some of the covers are incredibly bad, but mixed in with the pulpy stuff there are some moments of true beauty (and then this,too).
io9 observes that it seems everyone’s writing horror novels about economic downturn and how we’re all now holding onto houses bound up with tons of pain and economic insecurity. Somehow that all translates into ghosts and demons and all sorts of associated hauntings.
Mystery writer Raymond Chandler, writing a letter to his friend H.N Swanson in 1953. Honestly Chandler’s fake-SF is better than a lot of the real stuff.
Trying to come up with a great idea for your next SF/fantasy story? Check out this handy chart. One caveat, though — all the protagonists are male, so some gender-switching might be in order.
Reading this review of Jonathan Lethem’s new novel Chronic City, I’m reminded of this circular short story that appeared in The New Yorker last fall.
Trapped in space with a rowdy, unreliable Russian crew after the Chinese deploy mines around her vessel, lost astronaut Janice writes a series of letters to her boyfriend, Chase, stuck back on Earth. As their situation becomes more desperate and Janice deals with the knowledge that she has cancer and is doomed anyway, whether help comes or not, her letters to Chase take on a mystical, dreamlike quality.
Chase himself is the main character of Chronic City, so Janice’s missives to him form a sort of side story to the novel. But by themselves, they’re a beautiful, dreamy meditation on longing, loss, and outer space.
Lethem details his boyhood obsession with Philip K. Dick, and how the sci-fi genius helped launch his own career as a writer.
This is fascinating: a summmary of a paper by John Garth that compares scenes and features from The Lord of the RIngs to aspects of the Great War that would have impressed themselves on the mind of a WWI soldier like J.R.R. Tolkien.
this is how I want to camp.
sweethomestyle:Camping (via redmann)
“These Machines Kill Fascists” designed by You and Me, The Royal We
ADA ad designed by Jeseok Yi
where do I get trunks like that??
Just saw a foursquare check-in to a church. I’m not sure God appreciates other people trying to...
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